Avenue Q is just around the corner from every New York City dweller. It might seem to be far fetched but it is the condition of our urban environment. The avenue is one of a kind , where puppets and people alike live together in both harmony and chaos. Being the first adult puppet play in production, Avenue Q has set a new standard and image for puppets on Broadway. The innocent image of puppets of the past cannot match to the explicitness of the puppets on Avenue Q. Adults will think different about puppet after watching the play.

Avenue Q follows the after graduate life of Princeton Puppet. After completing his B.A in English , he settles down in New York City. With the money that he has he can only afford to live on Avenue Q. There he runs across a wide array of personalities. He meets a failing standup comic, ex-child star Gary Coleman, a therapist, a gay Republican , a slacker, a teacher’s aide , and a slut. Characters are played both humans the puppets and unlike Sesame’s Street, the puppets are shown with their puppeteer.
Avenue Q is the creation of Robert Lopez and Jeff Marx. Robert Lopez and Jeff Marx both mention they were influenced by Sesame Street creators Jim Henson and Frank Oz. Sesame Street was a movement that took the youth by storm when it first appeared on November 10,1969. After the first air showed, it has produced over four thousand episodes. The show was geared for toddlers and elementary school children. Robert Lopez and Jeff Marx are pioneers for orientating puppets towards the mature adult audience. The generations that grew up watching Sesame Street in the 1970’s, 1980’s and even the 1990’s would never have envisioned such a work of art as Avenue Q. Puppets appeared to be something of childish attraction where a Kermit sang “it’s not easy being Green”, now thanks to Robert Lopez and Jeff Marx that myth is gone. With its catchy thematic melodies and lyrics, the show was first produced at Vineyard Theatre in March of 2003. When it first opened it took about an estimated three million dollars to operate it Off-Broadway. It was critically acclaimed and gained popularity over night. It moved off Off-Broadway and on to the Broadway’s John Golden Theatre on July 31, 2003. Jenny Sandman, play review from Curtainup.com, calls Avenue Q “Hysterical. Truly hysterical. Avenue Q is Sesame Street meets The Simpsons with a touch of Sex and the City”.
Avenue Q is a cross product of Sesame’s Street and Real Road. It is everything that a five- year old would not be ready for but also everything that a twenty-five year old would understand and have a laugh about. The broad issues mentioned are very sensitive but also thrown around in the society that we live in today. The themes intertwine with the setting of the play and also the characters. The main theme is the idea of not fitting in and failing in life. Issues that some people are still uncertain to speak publically about were seen throughout the play. Issues such as open homosexuality, pornography, racism and explicit language are tossed around the hardwood stage like a rag ball. The play symbolizes the acceptance of those issues in our society where as just 10-20 years ago these issues would still be in the closet.
The environment of the show is set in the outer region New York City, it appeared to be some area of Manhattan but the location was not given a specific name. It feels that New York City was specifically because of the diversity and general idea that ambitious individuals move into the city to set the foundation for their future. What other city would be perfect for such a play ? New York City is the city where dreams could come true even with all the adversity. Again Avenue Q itself is not a real place, but a realistic concept of a diverse neighborhood. The environment interacts with the audience and makes the audience feel more at home.
The enjoyable characters of Trekkie Monster (parody of Cookie Monster ) and Rod and Nicky (parody of Ernie and Bert) are adored for their innocence. Their antics will have you in tears. It really does make you think about how innocent the real puppets are on Sesame’s Street are, just kidding. Since the show is for mature audience the puppets are college graduates and urban professionals seeking their big shot to success. At the beginning the word “Purpose” was introduced in Sesame’s Street style and this will be the general theme of the entire show. Within the show many themes are brought up and as satirical as they seem, the themes are serious. The play examines the purpose of all the characters both human and puppet alike. Princeton is not sure what his true purpose if life is. He feels that it is to succeed with his newly acquired B.A but does not feel that it will fulfill him. Love becomes a hot topic as the play progresses.
As the show continued on, one of the most predominant themes was the theme of love, sexuality and commitment. In the show majority of the characters are involved in some type of relationship either it is intimate or basic friendship. Rod , the homosexual puppet, is deeply in love with his roommate and best friend Nicky. Princeton falls in love with Kate Monster and also has an affair with Lucy The Slut. Brain and Christmas Eve are the non-puppet characters that are going to be engaged. The relationships involve the idea of freedom is sexual orientation, lust, real love, and marriage. All forms of that we can all relate to. All the characters are conflicted with these overall themes. There is a songs called “The Internet is for Porn”, and “If You Were Gay” that relate to the current hot issues within our society. Who would ever think that puppets would go this far on Broadway. There is one x-rated scene where Princeton and Kate are having passionate puppet sex. It is all out, as if no one was watching, when in reality the whole audience laughs and goes “oh my god”.
Racism is also a theme that reoccurs in the play. The divide between “Monsters” and People/Puppets is seen throughout the play. When Princeton is seen with Kate Monster, Lucy The Slut makes a remark towards “Monsters”. Also towards the end of the show , Trekkie Monster is apparently rich because of the shares he has in the porn industry and decides to donate a generous amount to help open Kate Monsters school for Monsters since Trekkie never got the chance to go to school. There is even a song titled “Everyone’s a Little Bit Racist”. I loved the song because it had so much truth. No matter what people might act like, it heart there is a characteristic that they do not like about a people.
The puppets appear real as their puppeteers maneuver them with grace.. Stephanie D’Abruzzo does a superb job as Kate Monster and the same goes for John Tartaglia as Princeton. Puppets never appeared so human like before. The show itself has won multiple Tony Awards since its 2003 debut. Linda Winer , Staff Writer of News Day, states that Avenue Q” serves as a sort of entry-level musical for overeducated, underemployed college graduates with no prospects but plenty of idealism about making a difference in the world”.
The main factor for the plays fame has come from the idea that college graduates in the early twenties are lost due to many socio-economic factors. If this anything , this screen play is directly geared towards college students. Young adults before have never really thought of screen plays as the medium to connect to. It would usually be movies, or sitcoms on television that the twenty something age group would watch. Avenue Q has opened a whole new spectrum on Broadway for the college student.
I enjoyed Avenue Q a lot. It was the first Broadway show I seen since Def Poetry Jam before it was retired from Broadway. Avenue Q introduced many serious issues and mocked it with puppets just to show that these issues aren’t that serious. It proved that people should allow people to act as they wish and respect their views. The characters living on Avenue Q didn’t protest or fight because of all their difference. They lived in peace together and that is how everyone should live. All that is needed is a little respect of others views. Then again Avenue Q isn’t that far away from us all.
“Ave. Q” Stays Street Smart . 2003 August 1
Linda Winer | STAFF WRITER , 2008 ,April 24,
http://www.newsday.com/entertainment/stage/ny-p2winer23396487aug01,0,2521541.story?coll=ny-theater-headlines
Avenue Q Becomes a Broadway Baby
Jenny Sandman, 2008 April 24
http://www.curtainup.com/avenueq.html
Avenue Q , 2003 Aug 1
David Finkle , Staff Writer , 2008 April 24
http://www.theatermania.com/content/news.cfm?int_news_id=3763